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La Redazione

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Mercoledì, 11 Maggio 2011
Pubblicato in Non categorizzato

FRANCESCO ROMANO

Francesco Romano, successivamente al diploma di chitarra ottenuto con il massimo dei voti e la lode, ha approfondito la sua preparazione musicale attraverso lo studio della composizione e della direzione d´orchestra. Successivamente ha rivolto il suo interesse al repertorio rinascimentale e barocco ed alla prassi esecutiva storica sugli strumenti appartenenti alla famiglia del liuto.

Da molti anni svolge un´ intensa attivita´concertistica come solista e come membro di formazioni da camera per le principali istituzioni musicali e festivals in Europa, America e Giappone (Accademia di S. Cecilia Roma, Teatro Regio Torino, Teatro della Pergola Firenze, Maggio Musicale Fiorentino, Festival di Stresa, Festival MITO, Musikverein Wien, Festival di Innsbruck, Festival di Musica Antica Stockholm, Festival di San Pietroburgo, Tage für Alte Musik Berlin, Haendel Festspiele Halle, Festival di Utrecht, Festival di Ambronnay, Festival di Lyon, Potsdamer Festspiele, Festival Bach Leipzig, Staatskapelle Dresden, Staatsoper Stuttgart, Staatsoper Hamburg, Festival di Montreux, Theatre de la Monnaye Bruxelles, Theatre de Champs Elyseés Paris, Early Music Festival Vancouver etc).

Ha collaborato tra gli altri con Christoph Coin, Jordi Savall, Andrew Lawrence King, Academia Montis Regalis, ed é membro de "gli Incogniti" , diretto dalla violinista Amandine Beyer, con cui ha recentemente registrato tre CD per la casa francese Zig Zag che sono stati premiati con il Diapason d´Or, Le choc de la Musique 2008, Deutsche Schallplatten 2009.

Ha effettuato numerose registrazioni per le principali emittenti radiotelevisive europee ed inciso per Opus 111, Naive, Symphonia, RCA, Capriccio, Edel Klassik, Hyperion, Amadeus, ZigZag.

Mercoledì, 11 Maggio 2011
Pubblicato in Non categorizzato

MARIA SOLOZOBOVA

Maria Solozobova was born in Moscow. Maria Solozobova belongs to the most promising violinists of the new generation. 
Maria graduated at the Moscow Gnessin School of music for gifted children and the famous Moscow Tchaikovsky Conservatory where she got concert diploma with honours. She went on to obtain her Master of Arts in Specialized Music Performance at the Music University in Zurich and Academy of Music Basel, where she got diploma as a soloist in 2008. She studied violin with Prof Z.Bron and Prof R. Oleg. Maria Solozobova has won many prizes in international music competitions: First Prize and Special Audience Prize at the international Brahms competition in Austria (2000), Second Prize at the international competition in Portugal (2002) where she again received the Special Audience Prize for her outstanding performance; first Prize at the W.A. Mozart competition "Duttweiler-Hug" in Zurich (2005). Second prize at the chamber music competition with trio E.M.I "Jeunesses Musicales" in Switzerland (2006). Prize-winner at the international Tibor Varga competition in Sion (2006) and at the international violin competition “Rodolfo Lipizer Prize” in Italy (2007).

Maria was invited as a soloist and chamber musician at the international festivals: Verbier-Festival and International Menhuin-Festival in Gstaad (Switzerland), Tartini-Festival in Slovenia, International Music Festival Korsmolm (Finland), Chamber Music Festival “Entcentro de musica y academia Santander” in Spain, Austrian Summer Festival Prague-Vienna-Budapest.

Maria Solozobova has worked with many leading orchestras: Basel Symphonic Orchestra, Zurich Chamber Orchestra, Cape Philharmonic Orchestra, Taipei Philharmonic Orchestra, Tschaikowsky Symphony Orchestra Moscow, Russian State Symphony Orchestra, Symphonisches Orchester Zurich, Genève Chamber Orchestra, Camerata Zürich Chamber Orchestra, Moskau Chamber Orchestra, Ljubljana Philharmonic Orchestra, Roumanian Philharmonic Orchestra.

She has performed in the most renowned concert halls as the Berlin and Cologne Philharmonic, Great Hall of the Moscow Tchaikovsky Conservatory, Concert Hall in Vienna, Philharmonic Hall in Lubljana, Stadtcasino in Basel, Victoria Hall in Geneve, the Tonhalle in Zurich, the National Concert Hall in Taipei, the Concert Hall of Tainan Municipal Cultural Center. She so had the opportunity to work with renowned conductors such as Muhai Tang, V. Virbitzky, P. Csaba, M. Jurowsky, V. Fedoseyev, H. Griffiths, V. Bulachov, M. Hofstetter. She performed chamber music with notable musicians: the pianists A. Volodin, A. Gavrilov, U. Koella, G. Wyss, Y. Smirnov, I. Vinogradova, the cellists Sol Gabetta, D. Geringas, the violinists H. Schneerberger, A. Lysy, I. Bochkova.

She has a wide repertoire from baroque, classical, romantic to contemporary music. Maria's performance is characterized by the beautiful warm sound of her Italian violin from Nicolo Gagliano, her virtuosity, spirit, convincing and professional stage performance.

Maria Solozobova’s first CD with recital, has been published by Hardstudio Switzerland in 2005. In December 2007, Maria’s second CD "Tchaikovsky and Ernst" has been published by Label Antes ( Bella Musica Edition). It has been celebrated by the international press as an outstanding debut.

In October 2005 Maria Solozobova was invited as 1st Concertmaster by the Orchestre de la Suisse Romande, Geneva, Switzerland.

Maria's tour in Taiwan "Leading to Bright Future" in September 2008 with the Taipei Philarmonic orchestra was very successful.

In the 2008/2009 season she made a concert tour "Klassische Musik im Licht der Sonnen Energie" through famous Swiss concert halls: Tonhalle Zürich, Stadtcasino Basel and many others. Maria performed a great variety of different concerts with leading orchestras and conductors.

On 26 April 2009 Maria Solozobova gave outstanding debut at the Tonhalle Zürich with Haydn, Paganini and Tchaikovsky violin concertos with the Zürich Chamber Orchestra conducted by Maestro Muhai Tang. In 2009/2010, Maria Solozobova has successfully performed as a soloist at numerous important concert halls, including the Tonhalle Zürich, Victoria Hall Geneva, Stadt Casino Basel. She further performed as a chamber musician and soloist with the Ensemble "Camerata Musica Barocca " in the Auditorium Wolfsberg, in the Grand Resort Bad-Ragaz Music Festival and in the famous church of St. Peters in Zürich.

Highlights during the 2010/11 season include performances with the Moscow State Symphonic Orchestra (Vladimir Fedoseev),tour in South Africa with Cape Philharmonic Orchestra, State Symphony Orchestra in Bloemfontein and recitals with piano, U.S tour with the Ensemble "Camerata Musica Barocca" , tour with the Taipei Philharmonic Orchestra in Taiwan and performances with Bach ,Vivaldi violin concertos on the"Festival Barocco di Viterbo" in Italy.

The new CD Album with baroque music will be published by Label Antes (Bella Musica) in Juni 2011.

Mercoledì, 11 Maggio 2011
Pubblicato in Non categorizzato

LAWRENCE GOLAN - DIRETTORE D'ORCHESTRA

The 2010-11 season marks the beginning of Lawrence Golan’s tenure as the Helen N. Jewett Music Director of the Yakima Symphony Orchestra, central Washington’s premier professional orchestra. This appointment comes on the heels of a highly successful four-year term as Resident Conductor of The Phoenix Symphony. That orchestra’s President and CEO Maryellen Gleason stated that Lawrence Golan was “unequivocally the best Resident Conductor The Phoenix Symphony ever had.” Music Director Michael Christie has said that Golan “is a programmer of virtually unprecedented creativity and scope.” Several of the concerts that Golan programmed, conducted and narrated with The Phoenix Symphony turned out to be the most financially successful and well-attended performances in the history of the orchestra, completely selling out triple concert sets in a 2200-seat hall. Golan continues to guest conduct professional orchestras, opera and ballet companies in the United States and around the world. Having conducted in 25 U.S. states and 13 countries, this season includes engagements in Boulder, Macon, Memphis, Palm Beach, Portland, Tucson and Taipei, Taiwan.

A staunch supporter of music education, Golan is a tenured full professor at the University of Denver’s Lamont School of Music where he conducts the Lamont Symphony Orchestra and Opera Theatre and leads one of the most distinguished and highly sought after graduate conducting programs in the United States. During his time in Denver, Golan has won six consecutive Outstanding Merit Awards, five ASCAP awards for Adventurous Programming of Contemporary Music, and the Downbeat Magazine Award for “Best College Symphony Orchestra”. The Lamont School of Music’s director, Joseph Docksey, has called Golan’s work there “nothing short of astounding.” Each summer, Golan teaches at the renowned Conductor’s Institute at Bard College in New York. Along with JoAnn Falletta, he was recently asked to join the Conductors Guild’s prestigious Mentoring Committee, which makes itself available to advise conductors from all over the world.

In addition to those mentioned above, Golan has received numerous other awards and honors. Along with Warren Deck of the New York Philharmonic, Golan was recently inducted into Pi Kappa Lamda, the prestigious national honor society for distinguished musicians. In 2010, Golan was selected as a finalist for the American Prize in Orchestral Conducting.

Lawrence Golan is known for his inspired performances, imaginative programming, passion for developing new audiences, and excellent public speaking skills—entertaining and/or educating the audience from both on and off the podium. He is also recognized for his expertise in the complete spectrum of musical styles and periods. He has worked with artists ranging from Leonard Bernstein, Marilyn Horne, Daniel Barenboim and Joshua Bell to Frank Sinatra, Kenny G and ShaNaNa.

Golan’s deep commitment to community outreach and audience development goes back several years. Earlier in his career, he founded the Atlantic Chamber Orchestra with the sole purpose of developing new audiences for classical music by making it more relevant and exciting. He created concert events specifically designed to bring in new listeners, and the successes he had in that endeavor led the Conductors Guild to invite him to speak at their national conference on the subject of developing 21st century audiences.

A native of Chicago, Lawrence Golan holds degrees in both conducting and violin performance from Indiana University’s Jacobs School of Music (B.M. and M.M.) and the New England Conservatory of Music (D.M.A.). In addition, he studied at all of the major conducting festivals including Aspen and Tanglewood, where in 1999 he was awarded the Leonard Bernstein Conducting Fellowship. The long list of distinguished conductors with whom Mr. Golan studied includes Robert Spano, Jorma Panula, David Zinman, Seiji Ozawa, Gustav Meier, Leonard Slatkin, Marin Alsop, Murry Sidlin, and Harold Farberman.

Mr. Golan has made several recordings with the Moravian Philharmonic on the Albany Records label. His recording of Tchaikovsky Symphony No. 6 has been highly praised by critics: “This is a world-class recording. It is refreshing to hear a recording of a well-known work of concert repertoire done so honestly and so beautifully.” (Robin McNeil, In Denver Times). “It stands up to many more-familiar recordings.” (Richard Nilsen, The Arizona Republic). That CD also features Tchaikovsky 6.1 by Peter Boyer, a work that Golan commissioned and premiered. Funky Little Crustaceans features orchestral music by Colorado composer William Hill, and Visions, Dreams & Memories is a collection of works for Native American flute and orchestra with James Pellerite, former Principal Flutist of the Philadelphia Orchestra and now one of the world’s premiere Native American flutists. Golan’s most recent recording, and his first with the Lamont Symphony Orchestra, Beethoven 7 and Beethoven 7.1 by William Hill, will be released by Albany Records later this year.

Following in the footsteps of his father Joseph Golan, former Principal Second Violinist of the Chicago Symphony Orchestra, Lawrence Golan is also an accomplished violinist. He was Concertmaster of the Portland Symphony Orchestra for eleven years, has appeared as soloist with numerous orchestras, including the Chicago Symphony, and has made several commercially available recordings as a violinist. His recording entitled Indian Summer: The Music of George Perlman, is treasured by young violin students and their teachers and is regarded as a very helpful and inspiring pedagogical aide.

Lawrence Golan’s edition and reduced orchestration of Tchaikovsky’s The Nutcracker is published by Spurwink River Publishing and is used by orchestras and ballet companies across North America. His scholarly-performing edition of the solo violin works of J. S. Bach that includes a handbook on Baroque Performance Practice, and The Lawrence Golan Violin Scale System are both published by Mel Bay Publications. His original composition Fantasia for Solo Violin is published by Ludwig Music.

Lawrence and his wife Cecilia, a hospitality industry executive from Buenos Aires, Argentina, have been married since 2003. They have a brand new baby daughter named Giovanna.

Lawrence Golan is represented by William Reinert Associates in New York.

Mercoledì, 11 Maggio 2011
Pubblicato in Non categorizzato

IL ROSSIGNOLO

Stimato dalla critica internazionale come "uno dei più raffinati giovani gruppi italiani di musica antica" Il Rossignolo si è distinto per “la verve interpretativa che unisce una straordinaria e ispirata vitalità al rigore filologico" nell’esecuzione del repertorio su strumenti storici.

L’attività discografica del gruppo ha portato alla realizzazione dei progetti riguardanti importanti riscoperte in tempi moderni come i Madrigali et canzonette a cinque voci di Orazio Caccini, (Selezione CD della rivista Early Music) le Sinfonie da camera di G.B. Martini (premio CD della rivista The Classic Voice, Maggio 2002), ed i Notturni a quattro di G.B. Sammartini (Un disco meraviglioso! - Classical Music); dedicati a repertorio più noto i progetti sui Concerti e Sinfonie di Alessandro Scarlatti (Uno straordinario divertimento - Concerto), i Concerti per violino et organo di Antonio Vivaldi (Il Rossignolo…formazione agguerrita nelle intenzioni e felice per colore del suono e precisione tecnica - Musica).

L’ultimo CD del gruppo, le Sonate op. 2 di Benedetto Marcello/Sonate a solo cembalo, è stato accolto come “una entusiasmante interpretazione, così come ci si aspetta da interpreti italiani che eseguono musica italiana... - Musicweb International”, e scelto come disco dell'anno. Gli interessi che porteranno alle prossime registrazioni ruotano intorno alla raccolta completa delle cantate a voce sola con strumenti a fiato obbligati di Alessandro Scarlatti, a integrali di opere di Georg Philipp Telemann e a novità handeliane per Sony Classical, etichetta con cui il gruppo ha recentemente firmato un contratto di collaborazione. I dischi del gruppo, diffusi in Europa, Asia e Stati Uniti, e i concerti sono stati recensiti e premiati da numerose riviste, testate e siti. Il Rossignolo è gruppo in residence per un progetto didattico presso l’Istituto Superiore di Studi Musicali Rinaldo Franci a Siena, dove coordina il dipartimento d’interpretazione storica, con corsi di strumenti antichi e musica d’insieme.

Mercoledì, 11 Maggio 2011
Pubblicato in Non categorizzato

LAURA CHERICI

Dopo aver conseguito gli studi al Conservatorio di Reggio Emilia debutta giovanissima al Teatro Regio di Torino in Der Rosenkavalier, Carmen e Aida, quindi come Susanna ne Le nozze di Figaro sotto la direzione del M. G. Kuhn.

Laura Cherici si è esibita nei maggiori teatri e festival italiani ed esteri collaborando con direttori come Accardo, Ahronovitch, Antonini, Arena, Bartoletti, Bolton, Cambreling, Curtis, Cillario, De Bernardt, Gatti, Gavazzeni, Gelmetti, Grazioli, Guschlbauer, Humburg, Kuhn, Lombard, Maag, Mehta, Muti, Oren, Pesko, Renzetti, Zedda, Dantone e e registi come F. Zeffirelli, G. Proietti, M. Placido, Pier’Alli, L. Ronconi, J. Miller.

Tra i ruoli interpretati si ricordano Susanna nelle Nozze di Figaro, Zerlina nel Don Giovanni (Teatro alla Scala), Berta nel Barbiere di Siviglia, Lauretta nel Gianni Schicchi, Pamina e Papagena nel Zauberflote, Despina nel Così fan tutte, Lisette nella Rondine (Sidney Opera House), Norina, Elisetta nel Matrimonio segreto, Melanto ne Il ritorno di Ulisse in patria, Drusilla ne L'incoronazione di Poppea, Checca ne Il Flaminio di Pergolesi, Chiarella ne Il convitato di pietra di Tritto e Kristina ne Il caso Makropulos.

Nel 2007, sotto la direzione del Maestro Curtis, è stata una Teutile di notevole impatto nel Motezuma di Vivaldi al Teatro Sao Carlos di Lisbona, al Festival dei Due Mondi di Spoleto e successivamente nei teatri di Ferrara, Piacenza, Modena e Roma. Ha debuttato il ruolo di Ginevra nell’Ariodante di Haendel e ha partecipato all’incisione di Alcina sempre con il M. Curtis. Da ricordare il Cappello di paglia di Firenze con la direzione del Maestro B. Bartoletti al Teatro Carlo Felice di Genova ed il Ein Sommernachtstraum di Mendelssohn al Teatro Filarmonico di Verona.

Nel maggio del 2008 è stata al Lufthansa Festival interpretando con grande successo il ruolo di Esilena nel Rodrigo di Haendel.

Nella stagione 2008/2009 ha preso parte all’edizione de Il Barbiere di Siviglia, con la direzione del M. Mariotti all’Opera Royal de Wallonie nel ruolo di Berta. Successivamente ha cantato al Teatro Carlo Felice di Genova nella produzione di Ariadne Auf Naxos e l’Orlando Paladino presso il Nederlands Concertgebouw.

Nel giugno 2010 ha cantato a Jesi nella produzione del Festival Pergolesi Spontini di Flaminio, accolta dalla critica in modo molto positivo. Ha in seguito rivestito i panni di Marcellina nelle mozartiane Nozze di Figaro allestite al Teatro del Maggio Musicale fiorentino e di Berta nel Barbiere di Siviglia al Corum di Montpellier.

Attiva nel repertorio contemporaneo ha interpretato molte prime mondiali tra le quali “Le Vite Immaginarie”, “La Lupa”, “Vita”, ” Il gatto con gli stivali “ e “Federico II” di Marco Tutino, ”Canzoni d’amore” di Lorenzo Ferrero, ”Amin” di Matteo D’Amico, ”Rimini addio!”di Carlo Boccadoro, ”La brocca rotta” di Flavio Testi, ”La Tempesta” di Carlo Galante con la regia di Giancarlo Cobelli, “ Un tram che si chiama desiderio” di André Previn con la direzione di Steven Mercurio e la regia di Giorgio Gallione al Regio di Torino. Tra i numerosi recital ricordiamo “Rocklied” (alla ricerca del classico nel pop) e “Suono, Sogno, Swing” con musiche di Porter e Gershwin in collaborazione con Antonio Ballista.

Nel 2009 ha ricevuto il premio “ Gianni Poggi “ per il ruolo di Teutile nel Motezuma di Vivaldi.

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